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Charlotte lay in his double clasp balanced so lightly on the horse's crest as hardly to feel the jar of his motion, though her head lay as nearly level with it as Ferry's bending shoulders and the hollow of his lowered right arm would allow; from under his other arm her relaxed figure, in its long riding-skirt, trailed down over his knee and stirrup; her broad limp hat, as if it had been so placed in sport, hung at his back with its tie-ribbons round his throat, while the black masses of her hair spread in ravishing desolation over and under his supporting arm. Her face was fearfully pale, the brows glistened with the damp of nervous shock, and every few moments she feebly brought a handkerchief to her lips to wipe away the blood that rose to them with every sigh. Steadfastly, except when her eyes closed now and then in deathly exhaustion, her gaze melted into his like a suffering babe's into its mother's. From time to time a brief word passed between them, and with joy I noticed that it was always in French; I hoped with my whole heart and soul that they had already said things, and were saying things yet, which no one else ought to hear. I waited some time for his notice, and when he gave it it was only by saying to her in a full voice and in English "Dick Smith is here, alongside of us." He was nameless, but by his works I know him! You deserve to be Poor old Grove is dead. He got so that he couldn't chew and they He came into ours as if he were at home, and amused himself by worrying me. At first he made believe to throw my rings out of window, substituting others, I know not how, which I saw fall on the line and roll into the grass on the bank. My watch got into his hands and vanished; I found it in my friend T——'s pocket, and afterwards in a basket of provender closed at Bhawnagar, and which I unpacked with my own hands. When the belief in a future life assumes the form last mentioned, it is, as we have said, simply a survival of the most primitive animism, not testifying to any religious reaction at the time when it can be proved to have flourished. It is introduced in the present connexion merely to show what ideas were current among those classes to whose opinions Roman civilisation was gradually giving irresistible weight. How the minds of the richer and more educated classes were affected by this underlying stratum, is shown by the nature of the figured representations with which their last abodes were ornamented. Everyone has been made tolerably familiar with these through the sculptured sarcophagi preserved in our museums; but, from their symbolical character, the significance of the reliefs with which they are decorated is not obvious at first sight; and some of the mythical adventures thus embodied may have been wrought without any reference to the destination of the dark and narrow chamber which they enclosed, or may even have been intended to divert the imagination from sad thoughts by the luxuriance of rushing life and joy and victory which they displayed; but after making every possible deduction on this score, there remain many others offering a deeper source of consolation to the bereaved survivor by the pictured promise of future reunion with those whom he had loved and lost. One favourite subject is the visit of Diana to the sleeping Endymion, by which is clearly foreshadowed an awakening to divine felicity from the sleep of death. The rape of Proserpine, followed by238 her restoration to the upper world, conveys a similar intention; as also does the fate of Adonis, since he too was believed to have risen from the dead. The marriage of Bacchus and Ariadne unquestionably symbolises the exchange of an earthly for a heavenly life; and the scenes of Bacchic revelry with which the interior of some tombs is decorated, were, to the imagination of those who designed them, no unbecoming image of the joys awaiting a blessed soul in its celestial abode. An inscription of which we have already quoted the opening words expresses in terms that hope of companionship with the joyous band of Dionysus at which the plastic representations can but mutely hint. ‘Now in a flowery meadow,’ says the mourning mother of Doxato to her child, ‘the priestess marked with a sacred seal is enrolling thee in the troop of Bacchus, where the Naiads that bear the sacred baskets claim thee as their fellow to lead the solemn procession by the light of torches.’ At the same time, a tenderer or graver note is often struck. The stories of Admêtus and Alcestis, of Protesilaus and Laodameia, point to a renewal of conjugal love beyond the grave. What were formerly supposed to be scenes representing the eternal farewell of husband and wife are, in the opinion of modern archaeologists, pictures of their restoration to each other’s arms. Rising higher still, Achilles among the daughters of Lycomêdes probably typifies the liberation of an immortal spirit from the seductions of sense. The labours of Heracles recall his apotheosis, and seem to show that a life of noble effort shall be rewarded hereafter. The battle of the Amazons is an allegory of strife with and triumph over the temptations of earthly delight. Another often-recurring theme, the hunting of the Calydonian boar, may mean the soul’s victory over death; but this explanation is offered only as a conjecture of the present writer’s. “I think I know what is going to happen,” Sandy decided, as they crossed the course of the hydroplane so that its two tiny colored beams showed at the same instant. “He’ll wait till we get closer in to the Connecticut shore line and then he’ll ‘douse the glim’ and leave us with nothing to watch.” But the next approach told a new development. "Nothin', I believe," answered Shorty. "But hold the boys and I'll go out and see." 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